š¦ MusiCares relief fund's new boss talks challenges ahead; Retooling Bandsintown for a world without tours; World's nightclub capital faces existential crisis; L.A. underground rave causes concern
Daily update for the music business on the coronavirus (June 17)
MusiCaresā New Chief Laura Segura Talks COVID-19 Fund, the Challenges Ahead and How We CanĀ Help (Variety)
Weāre seeing an increased need in private mental health sessions; weāre seeing a rise in addiction or challenges in peopleās recovery; and simply meeting the needs of housing ā there are eviction protections under the stimulus, but those will be expiring soon and weāre concerned that there will be a rise in homelessness in our community after those benefits are lifted.
At Work With Fabrice Sergent, Who Retooled Bandsintown For a World Without Tours (Rolling Stone)
Another way to characterize success: Physical events are coming back step by step, but livestreams now represent half of the additional creation of new events in our platform. It means artists are getting it. We are now in the second phase of this exploration because the first instinct was just to stay in touch. Livestreams are complementary to what fans used to have.
The Worldās Nightclub Capital Faces an Existential Crisis (WSJ)
Most clubs always operated with paper-thin margins. Entry costs ā¬10 on average, a fraction of what many clubs charge in New York or London. Berlinās clubs view themselves as cultural institutions, where atmosphere, not profitability, is the mark of success. According to a recent study by lobby group Clubcommission, 51% of Berlin clubs either operate at a loss or break even. Most of the rest make small profits.
As L.A. reopens, an underground dance party draws revelers and worries health experts (LA Times)
āMasks on everyone could help reduce the risk a bit, but even if many in the crowd were wearing them, I suspect theyād pull them down to talk, likely in very close proximity if the music is loud. Many would take them off to drink as well,ā she added. āWill the [artist] be behind plexiglass? Tested for virus before performing? How are they being protected from the crowd and the crowd from them? We know that singing and shouting appear to help spread the virus farther than mere breathing or talking, which introduces additional risk.ā
Masks for Music aims to help cash-strapped companies (IQ)
Music for Music, a new initiative that enables music professionals to market and sell face coverings, has launched to the global music industry. Itās described as an affiliate solution that offers āall global music industry professionals a way to help relieve pandemic financial insecurityā.
Israeli event pros hit back at Covid-19 restrictions (IQ)
Venues in Israel had originally been given the go-ahead to reopen on 14 June for events of up to 500 people and at 75% of full capacity. However, the government pushed back the date over the weekend, with events halls still only able to reopen for religious ceremonies, such as weddings and bar mitzvahs, for up to 250 people, leading some to question why venues cannot open for events of a similar size.
Norway scraps distancing for artists (IQ)
Elsewhere in the Nordics, capacity limits have been eased much more swiftly, with concerts of up to 500 people already taking place inĀ DenmarkĀ andĀ Finland. If infection rates are kept under control, the capacity limit in Norway could potentially rise to 500 by September at the earliest.
Thoughts
As regular readers are well aware of, the pandemic has served as an accelerator for certain technologies, trends, and debates. The demand for a fairer split of industry has become louder, as artists and small companies face bankruptcy. Thatās why I think itās important to watch the European Commissionās anti-trust investigation into Appleās App Store rules, triggered by a complaint from Spotify over Appleās mandatory in-app purchase system through which Apple collects 30% of subscription fees.
Adding to the noise is a much-anticipated email app by the makers of project management tool Basecamp. The app, Hey, saw itself getting rejected for not having implemented Appleās in-app purchasing system, despite having followed all the App Store submission guidelines according to Heyās founder, adding: āThere is never in a million years a way that I am paying Apple a third of our revenues.āIn the wake of the pandemic, lost revenues for artists, streaming services and labelsā deals under scrutiny, and pressure to find some type of compensation and re-arrangement for that, I expect the discussion of Appleās platform cuts to hit more tables in the music business.
(Google charges a similar cut, but doesnāt force developers to use their payment systems in the same way Apple does)
Music
Written while listening to a compilation of Romanian pop folk music from the 2000s called Sapte trandafiri on Spotify - a go-to summer genre for me to invoke nostalgia for South Eastern European summers.
MUSIC x CORONA goes out every weekday and is composed byĀ Bas GrasmayerĀ andĀ Maarten Walraven.
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